French connection UK: the Dinard film festival and the politics of culture

Archer

Abstract

This article looks at the thirty-year history of the Dinard Film Festival (until 2018, the Dinard Festival of British Film), with a particular focus on the financial support provided by bodies with industrial and/or cultural remits: specifically, the UK Film Council, the British Council and the British Film Institute. As I discuss, Dinard is a significant case study for understanding the British film-industrial relationship with France, but also for analysing the interrelationship between economic and cultural policy-making in the British film industry. As I also argue, looking at the history of the Dinard festival offers a significant example of the ways such showcases for ‘national cinema’ are bound up with the shifting contexts of film-industry policymaking. As I conclude, the changing economic fortunes in British film, and the economic contexts informing UK film policy, have not only impacted on Dinard, but also given the festival a renewed outlook – as well as a more political one in the recent contexts of the UK’s EU referendum and ‘Brexit’.

Citation

Archer. (2021). French connection UK: the Dinard film festival and the politics of culture. Studies in European Cinema, 1 - 15. https://doi.org/10.1080/17411548.2021.1886454

• Acceptance Date: Feb 18, 2021
• Publication Date: Feb 18, 2021
• Journal: Studies in European Cinema
• Print ISSN: 1741-1548
• Publisher: Intellect
• Pages: 1 - 15
• DOI: https://doi.org/10.1080/17411548.2021.1886454
• Publisher URL: https://www.tandfonline.com/doi/abs/10.1080/17411548.2021.1886454?src=&journalCode=rseu20