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Transnational Science Fiction at the End of the World: Consensus, Conflict and the Politics of Climate Change (2019)
Journal Article
Archer. (2019). Transnational Science Fiction at the End of the World: Consensus, Conflict and the Politics of Climate Change. Cinema Journal, 1-25. https://doi.org/10.1353/cj.2019.0020

This article considers the significance of transnational production, aesthetic, and narrative strategies in recent forms of "apocalyptic" science fiction cinema. As the article explores, a more transnational mode of science fiction offers the opportu... Read More about Transnational Science Fiction at the End of the World: Consensus, Conflict and the Politics of Climate Change.

Genre on the Road: The Road Movie as Automobilities Research (2017)
Journal Article
Archer. (2017). Genre on the Road: The Road Movie as Automobilities Research. Mobilities, 509-519. https://doi.org/10.1080/17450101.2017.1330988

This article argues for the use of film studies in the study of mobilities, with a specific focus on the analysis of genre, and the particularly fictional character of genre film. The article focuses on genre’s emerging and shifting forms across temp... Read More about Genre on the Road: The Road Movie as Automobilities Research.

Fan du Cinéma: Imitation, Europe and The Trip to Italy (2014) (2016)
Journal Article
Archer. (2016). Fan du Cinéma: Imitation, Europe and The Trip to Italy (2014). Studies in European Cinema, 246-259. https://doi.org/10.1080/17411548.2016.1249228

his essay considers the role of imitation in Michael Winterbottom’s film The Trip to Italy, with reference to the performances of mimicry by its two protagonists (Steve Coogan and Rob Brydon), but also on the part of the film itself, both as a sequel... Read More about Fan du Cinéma: Imitation, Europe and The Trip to Italy (2014).

A Novel Experience in Crime Narrative: Watching and Reading The Killing (2014)
Journal Article
Archer. (2014). A Novel Experience in Crime Narrative: Watching and Reading The Killing. Adaptation, https://doi.org/10.1093/adaptation/apu008

This essay will consider the adaptation of series one of the Danish television serial Forbrydelsen / The Killing (2007) into David Hewson’s novel The Killing (2012). Considering the television show through theoretical paradigms of contemporary long-f... Read More about A Novel Experience in Crime Narrative: Watching and Reading The Killing.