Opera samples in electroacoustic music: A portal for music discovery
(2023)
Presentation / Conference
Blackburn, M., & Baird, K. (2023, November). Opera samples in electroacoustic music: A portal for music discovery. Paper presented at Electronic Music Studies Network, (EMS), De Montfort University, Leicester, UK
Outputs (25)
The representation of diversity in sample packs (2023)
Presentation / Conference
Blackburn, M. (2023, May). The representation of diversity in sample packs. Presented at NoiseFloor 2023
Finding the Female Users: A Feminist Historiography of the Fairlight CMI (2022)
Presentation / Conference
Blackburn, M., Harkins, P., & Paul, H. (2022, June). Finding the Female Users: A Feminist Historiography of the Fairlight CMI. Presented at Centre for Research in New Music (CeReNeM), University of Huddersfield, UK
Fragmenting the archive for creativity: developing digital sample packs of Indian musical instrument sounds (2021)
Presentation / Conference
Blackburn, M., Nayak, A., Suviste, H., & Batchelor, J. (2021, March). Fragmenting the archive for creativity: developing digital sample packs of Indian musical instrument sounds. Presented at Digital Archive and Canon workshop, 2nd Maximillian-Bickhoff Colloquium
Need we say more: Contemporary Responses to the Fairlight CMI (2020)
Presentation / Conference
Blackburn, M., Harkins, P., Puricelli, R., & Lacedelli, S. (2020, December). Need we say more: Contemporary Responses to the Fairlight CMI. Paper presented at Sound Instruments and Sonic Cultures: An Interdisciplinary Conference, National Science & Media Museum, Bradford/OnlineOften described as the first digital sampler, the Fairlight Computer Musical Instrument (CMI) was primarily a digital synthesizer and computer workstation. Launched in 1979, it was one of the technologies that were used to re-shape the practices of m... Read More about Need we say more: Contemporary Responses to the Fairlight CMI.
Negotiating diversity and prejudice: a case study in successful cross-cultural collaboration (2020)
Presentation / Conference
Blackburn, M., & Nayak, A. (2020, January). Negotiating diversity and prejudice: a case study in successful cross-cultural collaboration. Paper presented at Equality, Diversity and Inclusion in Music Higher Education Conference, City University
International conference on the history of nursing (2020)
Presentation / Conference
Tomkins. (2020, January). International conference on the history of nursing. Presented at International conference on the history of nursing, Florence
Marginal ¡como tú! Las clases altas tradicionales limeñas construyendo ciudadanía a través de la música fusión (2019)
Presentation / Conference
Montero Diaz, R. (2019, July). Marginal ¡como tú! Las clases altas tradicionales limeñas construyendo ciudadanía a través de la música fusión. Presented at 4th SIMM-posium – organized by the SIMM-platform (Social Impact of Making Music), Bogota, Colombia
Gentrification in the House! John Lanchester’s Capital, Brian Platzer’s Bed-Stuy is Burning, and the House as Nexus of Glocal Forces. (2019)
Presentation / Conference
Peacock. (2019, July). Gentrification in the House! John Lanchester’s Capital, Brian Platzer’s Bed-Stuy is Burning, and the House as Nexus of Glocal Forces. Presented at Literary London Conference: Neighbours of Ours, University of Notre Dame, LondonNo abstract available.
Working with brevity: Short soundfiles in electroacoustic composition (2019)
Presentation / Conference
(2019, June). Working with brevity: Short soundfiles in electroacoustic composition. Presented at International Computer Music Conference, New YorkWorking with short soundfiles en masse in the fields of fixed media (acousmatic) and mixed music (instruments and electronics) has raised questions regarding useful assemblage and handling techniques. This paper traces out some different processes an... Read More about Working with brevity: Short soundfiles in electroacoustic composition.