All Outputs (11)

Gertrude Stein's Curatorial Impressionism (2025)
Book Chapter
Bowler, R. Gertrude Stein's Curatorial Impressionism. In The Edinburgh Companion to Women's Experimental Literature since 1900. Edinburgh University Press. Manuscript submitted for publication

Gertrude Stein’s early work, those short and abstract ‘portraits’ of friends and of ‘types’, has been often described as impressionist, post-impressionist, and even cubist. The word ‘portraits’, of course, invites a painterly comparison. Key to both... Read More about Gertrude Stein's Curatorial Impressionism.

Escaping the Net: May Sinclair's The Three Sisters and Mary Olivier: A Life (2025)
Book Chapter
Bowler, R. Escaping the Net: May Sinclair's The Three Sisters and Mary Olivier: A Life. In British Women's Writing From Brontë to Bloomsbury, 1900-1919. Vol IV. Palgrave Macmillan. Manuscript submitted for publication

Abstract: In May Sinclair’s novels The Three Sisters (1914) and Mary Olivier: A Life (1919) the heroines struggle with the constraints of family, religion and stifling morality; they feel both heredity and tradition to be a ‘net’ they are unable to g... Read More about Escaping the Net: May Sinclair's The Three Sisters and Mary Olivier: A Life.

May Sinclair's Dialogic Tesserae (2024)
Book Chapter
Bowler, R. (2024). May Sinclair's Dialogic Tesserae. In May Sinclair in her Time: Reappraising May Sinclair’s Role in Early-20th-Century Literature and Philosophy (173-193). Presses universitaires de la Méditerranée. https://doi.org/10.4000/12qgi

Archiving the Intellectual Life: May Sinclair's Workbooks (2024)
Book Chapter
Bowler, R., & Dikova, S. (2024). Archiving the Intellectual Life: May Sinclair's Workbooks. In The Bloomsbury Handbook of Modernist Archives. Bloomsbury Publishing

22 ‘What God hath joined, let no pragmatist put asunder’: May Sinclair’s Philosophical Idealism as Surrogate Religion (2023)
Book Chapter
Bowler, R. (2023). 22 ‘What God hath joined, let no pragmatist put asunder’: May Sinclair’s Philosophical Idealism as Surrogate Religion. In The Edinburgh Companion to Modernism, Myth and Religion (358-370). Edinburgh University Press. https://doi.org/10.1515/9781474494793-025

Introduction to May Sinclair, Cuentos de lo insólito (2023)
Book Chapter
Bowler, R. (2023). Introduction to May Sinclair, Cuentos de lo insólito. In May Sinclair; Cuentos de lo insólito. (1). La Biblioteca De Carfax

Introduction to Spanish translation of May Sinclair's Uncanny Stories

The ‘Fountain of Consciousness Novel’: Dorothy Richardson, Henri Bergson, Gustav Geley (2020)
Book Chapter
Bowler, R. (2020). The ‘Fountain of Consciousness Novel’: Dorothy Richardson, Henri Bergson, Gustav Geley. In Literature and Modern Time (129-147). Springer International Publishing. https://doi.org/10.1007/978-3-030-29278-2_6

May Sinclair and Physical Culture: Fit Greeks and Flabby Victorians (2017)
Book Chapter
Bowler, R. (2017). May Sinclair and Physical Culture: Fit Greeks and Flabby Victorians. In May Sinclair: Re-Thinking Bodies and Minds. Edinburgh University Press. https://doi.org/10.3366/edinburgh/9781474415750.003.0008

Wet Aesthetics Immersion versus the ‘perfect imbecility' of the Stream in Dorothy Richardson’s Pilgrimage 1 (2016)
Book Chapter
Bowler, R., & McCracken, S. (2016). Wet Aesthetics Immersion versus the ‘perfect imbecility' of the Stream in Dorothy Richardson’s Pilgrimage 1. In Reconnecting Aestheticism and Modernism

Hospitality, Nostalgia, and the Itinerant Hero(ine) in Dorothy Richardson’s Pilgrimage and Ford Madox Ford’s Parade’s End (2016)
Book Chapter
Bowler, R. (2016). Hospitality, Nostalgia, and the Itinerant Hero(ine) in Dorothy Richardson’s Pilgrimage and Ford Madox Ford’s Parade’s End. In Security and Hospitality in Literature and Culture : Modern and Contemporary Perspectives

Pot-boilers or “Glimpses” of Reality? The Cultural and the Material in the Modernist Short Story (2015)
Book Chapter
Bowler, R. (2015). Pot-boilers or “Glimpses” of Reality? The Cultural and the Material in the Modernist Short Story. In British Women Short Story Writers: The New Woman To Now (50 - 65)