Self-Dispersal and Self-Help: Paul Auster's Second Person

Peacock

Abstract

This article analyzes Auster’s employment of the second person in his twenty-first-century prose texts – Invisible, Sunset Park, Winter Journal and Report from the Interior – in order to challenge familiar humanistic readings of his work. Using theories of second-person narration, these texts are read with reference to other works that use the second-person, including Ben Lerner’s 10:04, to argue that they can be seen to offer a vision of selfhood commensurate with neoliberal ideals of self-reliance and self-reinvention. Understanding these recent texts in this way, it is argued, demands a reappraisal of Auster’s oeuvre: the traditional readings of his work as describing a never-ending struggle to meet the other, to escape isolation, must stand alongside an alternative reading of his work which emphasizes a continual restaging of individual authority. Thus, the article makes an important intervention in discussions of Auster’s work, as well as making claims about the ethics and politics of literary form with wider implications for the contemporary moment.

Citation

Peacock. (2020). Self-Dispersal and Self-Help: Paul Auster's Second Person. Critique, https://doi.org/10.1080/00111619.2020.1832953

• Acceptance Date: Oct 1, 2020
• Publication Date: Oct 12, 2020
• Journal: Critique - Studies in Contemporary Fiction
• Print ISSN: 0011-1619
• Publisher: Routledge
• DOI: https://doi.org/10.1080/00111619.2020.1832953
• Keywords: contemporary fiction, Paul Auster, second-person writing
• Publisher URL: https://doi.org/10.1080/00111619.2020.1832953