Alinka Greasley
Musical Preferences
Greasley, Alinka; Lamont, Alexandra
Authors
Alexandra Lamont a.m.lamont@keele.ac.uk
Contributors
Susan Hallam
Editor
Ian Cross
Editor
Michael Thaut
Editor
Abstract
This chapter critically discusses current understanding of the psychology of musical preferences. The first section explores the styles of music people prefer, and the ways in which specific musical characteristics influence preference. The second section examines individual differences in musical preferences, highlighting the role of personality, gender, age, identity, values and responses to music (e.g., physiological, cognitive, affective). The third section outlines the influence of social contexts, including concurrent activities and the presence/absence of others, and cultural contexts at a broader level. The fourth section critically evaluates theories that consider how various individual and social factors interrelate to explain musical preferences, including LeBlanc’s model of variants in musical taste, and Hargreaves et al.’s reciprocal feedback model of musical response. The chapter concludes by drawing out the strengths, limitations and implications of the various approaches, and providing suggestions for future research in the field.
Citation
Greasley, A., & Lamont, A. (2016). Musical Preferences. In S. Hallam, I. Cross, & M. Thaut (Eds.), The Oxford Handbook of Music Psychology. (2nd edn). Oxford University Press. https://doi.org/10.1093/oxfordhb/9780198722946.013.58
Online Publication Date | Mar 7, 2016 |
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Publication Date | Jan 1, 2016 |
Deposit Date | Jun 6, 2023 |
Publisher | Oxford University Press |
Edition | 2nd edn |
Book Title | The Oxford Handbook of Music Psychology |
Chapter Number | 17 |
DOI | https://doi.org/10.1093/oxfordhb/9780198722946.013.58 |
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